I'm not sure the kind of creativity that comics require is compatible with the corporate atmosphere Alessi had created. Creatives need chaos and disorder to let real ideas bubble to the surface. It's one thing to foster discipline in accounts payable, but that isn't really applicable to madcap ingenuity. I think the atmosphere Stan Lee fostered with Marvel in the 60's is the ideal type of medium for letting ideas flow. Deadlines are the only structure that artists generally require. In the end, the left-brain thinking Alessi took to the bank in Silicon Valley made for some extremely forgettable comics.
Excerpt:
Meridian. Mystic. Sigil. the First. Sojourn. Scion. Negation. Crux.
After reading through all of these titles on the Web, I have to make a confession. I can't tell any of them apart. At least, not in anything other than a superficial way. Each title stakes a claim on a different genre like "Sword and Sorcery, Medieval Fantasy Adventure, Widescreen Science Fiction," etc etc. The (vaguely fantasy-oriented) science fiction titles are somewhat distinguishable from the (vaguely sci-fi oriented) fantasy titles. But read that list of titles again. In gathering research for this article, I kept clicking on Scion when I was looking for Sojourn and even then I wasn't sure if it was actually Sigil I was trying to select. The
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